Hilary Pecis,” Mango” (2024), acrylic on linen, 54 x 44 inches. All images courtesy of the artists and Timothy Taylor, shared with permission
We’ve officially entered the hot, sticky part of the year when languid afternoon naps seem inevitable. A sprawling group exhibition at Timothy Taylor is an ode to this sluggish time and the furry companion with which it shares a name.
Featuring 60-plus works made between 1915 and today, Dog Days of Summer is a joyful tribute to humanity’s best friend. Interpretations of our favorite four-legged pals are vast and varied, including a vividly patterned couch complete with a tiny, lounging pup by Hilary Pecis and Alex Da Corte’s stylized wooden puzzle with a friendly offering in its paw. Spanning photography, watercolor, etching, marquetry, and more, the exhibition presents a wide-ranging view of our relationship with the animal.
“Dogs have been a feature of visual culture since at least 8,000 years ago when hunter-gatherers carved an image of leashed dogs into a sandstone cliff,” a statement from the gallery says. Symbols of protection, loyalty, and unparalleled love and devotion, canine companions continue to fetch inspiration for artists millennia later.
Dog Days of Summer runs through August 23 in New York.
Camilla Engstrom, “Mammahund” (2024), oil on canvas, 36 x 48 inches
Alex Da Corte, “Lucy” (2021), wood, water-based stain, and paint, 18 x 15 x 1 ⅞ inches
Ann Craven, “Magic and Moonlight in Night Field” (2024), oil on canvas, 24 x 18 inches
Alison Elizabeth Taylor, “A Cat Person’s Studio Dog” (2024), marquetry hybrid on panel, 56 x 42 inches
Karen Kilimnik, “friends in the woods” (2010), water-soluble oil color on canvas, 14 × 18 inches
Louis Fratino, “Man and Dog” (2018), watercolor on paper, 9 × 12 inches
Installation view of ‘Dog Days of Summer’
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