Equipped with Joy and Innumerable Glass Beads, Demond Melancon Stitches Reverential Portraits

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  • Aug 16.

“Fela: The Future and Now” (2021), glass beads and rhinestones on canvas, 22 x 16 inches. All images courtesy of the artist and Arthur Roger Gallery, shared with permission

A member of the Young Seminole Hunters, Big Chief Demond Melancon leads Black masking traditions in his native New Orleans, spending countless hours stitching small glass beads and feathers into elaborate suits to be worn during Mardi Gras. The labor-intensive garments are just one part of Melancon’s practice (previously), though. He transfers the intricate beadwork to smaller portraits honoring cultural icons, political figures, and those who’ve made a profound impact personally and collectively.

The ongoing series includes people like former First Lady Michelle Obama, who appears wearing an elegant gold and green headdress with a regal expression. Nigerian musician and activist Fela Kuti appears, too, with a crown and painted face, his charismatic and determined personality shining through the beadwork. Intent on reimagining the portrayals of and narratives historically surrounding Black people, Melancon creates portraits that share stories of celebration and renown, depicting his subjects with joy and adoration.

Find more of the series on Melancon’s website and at Arthur Roger Gallery, where he’s represented. Follow the latest on Instagram.

 

“Queen First Lady” (2022), glass beads and rhinestones on canvas, 12.25 x 10.25 inches

Detail of “The Future and Now” (2021), glass beads and rhinestones on canvas, 22 x 16 inches

“Cross Colours” (2022), glass beads and rhinestones on canvas, 11.75 x 7 inches

“Treme” (2021), glass beads and rhinestones on canvas, 12.5 x 10.5 inches

“Carnival Time” (2023), glass beads and rhinestones on canvas, 21 x 15.25 inches

“Soul a Burning Fire” (2024), glass beads and rhinestones on canvas, 12.5 x 9 inches

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