A seahorse nestles in amongst cherry blossoms, and a cone of violet flowers morph from a glistening amethyst in Jon Ching’s uncanny ecologies. In jewel-toned oil work, the Los Angeles-based artist’s hybrid creatures sport regal headdresses or merge their our bodies with gems and crystals. He usually focuses on a central character in a contradictory surroundings, equivalent to an owl amongst gourds, a flamingo wading between cacti in a wetland, or a chook hatching from a Fabergé egg.
Lately, Ching began creating what he describes as “quieter” compositions, panning out from central portraits to unveil the enigmatic marvel of nature as a complete. Landscapes and the small print of the animals’ environment take priority and typically border on optical illusions, just like the luna moths tucked in with ginkgo leaves in “Nagamorphose” or a dewy spider internet fabricated from diamonds in “Arachnitite.” More and more highlighting species which might be misunderstood or get a foul rap, his new work “are much less concerning the animal itself and extra concerning the magnificence that exists on the planet,” he says in a latest article in American Artwork Collector, sharing that he needs to “push again in opposition to our cultural biases about sure animals.”
Many of those items are a part of Ching’s solo exhibition Terra Brio at Haven Gallery on Lengthy Island, which continues by way of June 4. He additionally simply launched a print version of “In Plain Sight,” which yow will discover in his store. Uncover extra of his work on his web site, and observe him on Instagram for updates and insights into his course of.
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