“Fourchette” (2024), oil on canvas, 180 x 180 centimeters. All images © Kristof Santy, courtesy of Christine König Galerie, shared with permission
In 19th-century France, a style of bright, illustrative prints known as Images d’Épinal emerged as a way to portray subjects in sharp colors. The name was derived from the works’ first publisher, who hailed from the municipality of Épinal. And while the designs proved popular in children’s items like card games and books, their use as propaganda glorifying Napoleon I solidified the prints’ rise to fame. Today, “image d’Épinal” has become a proverbial expression in French to refer to a naïve depiction of something, showing only its good characteristics.
Roeselare, Belgium-based artist Kristof Santy nods to the legacy of the narrative tableaux in his striking paintings, portraying everyday scenes in vibrant colors, bold lines, and flattened perspectives. His playful, idealized compositions are simultaneously specific and universal; each painting brims with personal or idiosyncratic details that at the same time represent observations we all experience, from getting ready in the bathroom to going to the office to passing vehicles on the road. “Veevervoer,” for example, which means “livestock transport,” depicts a parked yellow truck with its driver-side curtain pulled shut and cartoonish animals peering out from the trailer.
Epinal, Santy’s solo exhibition at Christine König Galerie, explores a variety of ubiquitous subjects like clothing zippers or arrays of food (previously) while also tapping into an autobiographical experience. The artist’s series Cours De Dessin, which translates to “drawing lesson,” distills potted plants or everyday items, like writing utensils or a wristwatch, into vivid geometric shapes.
If you’re in Vienna, you can stop by Epinal through May 18. Find more on the artist’s website and Instagram.
“Veevervoer” (2023-24), oil on canvas, 200 x 240 centimeters
Left to right: “#15,” “#13,” and “#12” (Cours De Dessin series 2), (2024), pencil and wax on 130 gram simili japon paper, 96 x 64.2 centimeters each
“Tiret” (2024), oil on canvas, 80 x 70 centimeters
“Lavabo” (2024), oil on canvas, 180 x 160 centimeters
Left: “Bureau” (2024), oil on canvas, 200 x 180 centimeters. Right: “Schmink” (2024), oil on canvas, 200 x 180 centimeters
“Bureau” (2024), oil on canvas, 200 x 180 centimeters
‘Cours De Dessin’ series (2024), pencil and wax on 130 gram simili japon paper, 56 x 38 centimeters each
Do stories and artists like this matter to you? Become a Colossal Member today and support independent arts publishing for as little as $5 per month. The article In ‘Epinal,’ Kristof Santy’s Vibrant Tableaux Nod to a 19th-Century French Print Traditions appeared first on Colossal.
