“L’heure Rouge.” All pictures © Olivia De Bona, shared with permission
Via glimpses of chic interiors lush with vegetation, Paris-based artist Olivia De Bona celebrates the sweetness and contours of the feminine physique. Her straw marquetry—the method of making use of skinny layers of fabric (normally veneer) to a floor—provides pure texture, variegation, and historic relevance to such intimate and decadent scenes. Referencing Romanticism and the Vietnamese wooden carving traditions of her ancestors, the works require “endurance, and an incalculable variety of hours, that permits me to dive out of time and brings me again to one thing very concrete, actual, removed from the well-known, going through myself and in tribute to all the ladies artisans to the forgotten work,” the artist says.
On view now at BEERS London, De Bona’s newest physique of labor reckons with voyeurism, implicating the viewer from the outset. Sensuous and closely stylized, the items largely depict nude girls unaware and in a second of passing, proven by means of parts like “a hidden passage, a doorway, a transition from one state to a different the place we are able to peek at what’s hidden and what’s revealed,” the artist shares. The exhibition is titled Le Panache, a time period that right now signifies flamboyant confidence and that traditionally denotes an elaborate headdress, the latter of which is recalled within the fiery pink feathers of “La Poule.”
De Bona is drawn to this sense of “reckless braveness” that “rework(s) all girls into goddesses. I put my loving and tender search for all her our bodies, all her types,” she says. Many of those current works have been impressed by the artist’s good friend, knowledgeable dancer who joined her within the studio to carry out. “This has little or no to do with voyeurism and is basically about tenderness,” De Bona shares. “A connection between individuals, between girls, permitting area for dialogue and creativity. There was a really uncooked connection between her actions in my area and my craftsmanship in relation to my work.” Every inside is lavish and ripe with vegetation, stone tiles, animals, and smooth locations to relaxation. Obscured by a half-opened door or fern entrance, these home areas are fertile, providing room for contemplation, solitude, and creativeness.
A number of works proven listed below are included in Le Panache, which is on view by means of June 10. For extra of De Bona’s marquetry, murals, and different tasks, go to Instagram, and discover prints in her store.
“Sieste crapulence 5pm” (2022), straw marquetry, acrylic, and pigmented clay on wooden, 61 x 50 centimeters
“Le Bouquet” (2023), acrylic, pigmented clay, and straw marquetry on wooden, 60 x 42 centimeters
“La Poule” (2023), acrylic and straw marquetry on wooden, 73 x 60 centimeters
Element of “Le Bouquet” (2023), acrylic, pigmented clay, and straw marquetry on wooden, 60 x 42 centimeters
Left: “Un Lengthy Dimanche” (2022), acrylic and straw marquetry on wooden, 68 x 56 centimeters. Proper: “La Toilette” (2021), 50 x 100 centimeters
Element of “Un Lengthy Dimanche” (2022), acrylic and straw marquetry on wooden, 68 x 56 centimeters
“Le Boudoir”
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