Metaphysical Interactions Unfold in Moonassi’s Surreal ‘Mind Illustrations’

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Metaphysical Interactions Unfold in Moonassi’s Surreal ‘Mind Illustrations’

Through ink on hanji paper that juxtaposes deep blacks with delicate cross-hatching, surreal scenes unfold in the drawings of Seoul-based artist Moonassi (previously). Through the dramatic use of chiaroscuro and simple yet elegantly delineated faces, hands, and limbs, the artist constructs dreamlike worlds in which figures commune and explore.

Moonassi’s use of meok, a traditional Korean inkstick ground with water against a stone to produce a liquid, results in a deep black medium achieved through a meditative process. He refers to his work as “mind illustration,” delving into the emotional and psychological bonds between pairs, small groups, and otherworldly surroundings.

an ink drawing on paper of a figure wearing black clothing, crouched in front of a giant hand, holding their hands over another tiny figure who is also crouched and protecting another figure who is even smaller yet
“Meme” (2024), ink and acrylic on Hanji, 130.3 x 193.9 centimeters

Recent pieces like “Same difference” explore dualities like opaqueness and transparency, weight and lightness, and unity and individuality. Moonassi’s compositions are often intrinsically introspective, as the figures interact with others that may or may not be versions of themselves or figments of their own imaginations.

Repetition and scale play significant roles in the artist’s work, like in “Meme,” in which a central figure crouches onto the ground and gently cups another tiny figure in their hands, who in turn does the same. At some point, it dawns on us that the main figure is also framed by enormous hands, akin to an otherworldly Matryoshka nesting doll. Moonassi’s scenes challenges our senses of perspective, presence, care, and the spiritual world.

Find more on the artist’s website.

an ink drawing on paper of a figure wearing black clothing, halfway in sand and revealing the outline of a face in the sand
“Mineral Wait” (2024), ink on Hanji, 76 × 145 centimeters
an ink drawing on paper of two figures in black garments against a dark background
“Acrobat IV” (2024), ink and acrylic on Hanji, 72.7 x 60.6 centimeters
an ink drawing on paper of four figures in black garments in front of a large, sleeping figure
“Becoming Nature” (2024), ink and acrylic on Hanji, 72.7 x 60.6 centimeters
an ink drawing on paper of two figures in black garments
“The feeling aligned for us” (2024), ink and acrylic on Hanji, 130.3 x 190.4 centimeters
an ink drawing on paper of two figures with their heads above the surface of rippling water
“Rippled and sparkled” (2024), ink on Hanji, 130.3 x 193.9 centimeters
an ink drawing on paper of a figures in black clothing, arranging pieces of a broken head on the ground
“Feeling Kintsugi” (2024), ink and acrylic on Hanji, 72.7 x 60.6 centimeters

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