Previous, Current, and Future Converge in Dustin Yellin’s 10,000-Pound Glass Sculpture on the Liberty Science Middle


“The Politics of Eternity.” All photographs © Dustin Yellin. Images by Gus Powell, courtesy of the Liberty Science Middle, New York

Drawing inspiration from the methods and networks that join us to 1 one other, the world round us, and realms we will’t even see, Dustin Yellin (beforehand) encases detailed narratives between quite a few layers of glass. On the Liberty Science Middle in New York Metropolis, Yellin’s 10,000-pound The Politics of Liberty explores historic time—previous, current, and future—as a part of the middle’s thirtieth anniversary Massive Artwork program.

Because the founder and director of Pioneer Works, a multidisciplinary middle with a mission to construct neighborhood by means of the humanities and sciences, Yellin is not any stranger to exploring ways in which artwork can educate and talk about necessary matters. Utilizing paint and clippings from print media, the Brooklyn-based artist creates elaborate, allegorical scenes that faucet into viewers’ feelings and consciousness and encourage new methods of fascinated with society and its infrastructures. Yellin embraces interdisciplinary approaches and says the Massive Artwork initiative demonstrates the “basic perception within the means of concepts to exist fluidly throughout totally different domains, inviting us to think about the other ways wherein an understanding of our universe might be expressed and to really feel the expanses of our minds.”


In The Politics of Liberty, seven columns are offered in a chevron format depicting two landmasses on both facet of a watery basin. He spent round 20,000 hours—that’s about 834 days!—painstakingly composing tiny particulars between sheets of laminated glass. One part portrays a fictive neighborhood gathered round an historic totem, adopted by a society of the longer term wherein its denizens don jet packs inside a “techno-metropolis” that rises up round a rocket ship. From every of those areas, waterfalls feed right into a central world stuffed with tall ships, supertankers, rafts, and drones.

Slightly than a linear expression of time, a mashup of applied sciences, climates, and terrain merge seamlessly into each other. By portraying the previous, current, and future concurrently, Yellin prompts viewers to think about the interconnectivity of all time durations and the way our actions prior to now and in the present day will proceed to affect the longer term.

The Politics of Eternity is on view on the Liberty Science Middle for the following 12 months. Discover extra work on the artist’s web site and Instagram.


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