Vibrant, Immersive Installations by Poh Sin Studio Emphasize Vulnerability as a Strength

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Vibrant, Immersive Installations by Poh Sin Studio Emphasize Vulnerability as a Strength

From vibrant rope to metal frames to acrylic panels, the chromatic installations of Poh Sin Studio invite viewers into glowing thoroughfares and sprawling pavilions. Founded by Pamela Poh Sin Tan, the studio emphasizes public art as a means of fostering relationships between people, their communities, and their surroundings.

Tan’s immersive works blur the boundaries between disciplines, evoking a sense of curiosity and discovery. “I’m particularly drawn to engaging the public through art and creating experiences that inspire dialogue and connection,” she tells Colossal. “I believe public art is a powerful catalyst for urban renewal and psychological well-being, providing moments of reflection, joy, and connection.”

a detail of a vibrantly colored architectural pavilion made of bright red acrylic panels cut into undulating shapes
Detail of “Crimson Cloud”

For example, the artist shares that her most recent installation, “Structural Resonance,” explores the interplay between art and architecture, embodying layers of spatial and experiential narratives.” She is interested in how physical spaces interact with their environment and affect us visually and emotionally.

Embracing fragility as a form of strength is central to Tan’s practice, manifesting in the way soft materials, like rope, complement those associated with resilience and permanence, like metal. “I find inspiration in overlooked details, such as plant veins, diatoms, mechanical and electrical systems, or even the skeletal framework of objects like a piano,” she says. “These hidden elements hold quiet beauty and complexity that I love to bring to light.”

Art and architecture are inherently intertwined in Tan’s view. Design and engineering provides structure, context, and utility, while the artistic aspect adds compelling narrative and emotion. “Together, they reveal hidden dimensions, evoke movement, and connect deeply with viewers,” she says.

Explore more on Poh Sin Studio’s website and Instagram.

a large-scale ceiling installation of intricate metalwork
“Structural Resonance” (2024)
an aerial view of a vibrantly colored architectural pavilion made of metal poles and rope
“Projection: Kite.” Photo by David Yeow
a detail of a vibrantly colored architectural pavilion made of metal poles and rope
Detail of “Projection: Kite” (2019). Photo by David Yeow
a yellow installation made of undulating pieces of arcylic, placed over a stairwell in a transit station
“Sunnyside Up” (2023) at MRT Pasar Seni, Kuala Lumpur, Malaysia
a yellow installation made of undulating pieces of arcylic, placed over a stairwell in a transit station, viewed from above
“Sunnyside Up” (2023)
an aerial view of a vibrant red architectural pavilion made of bright red acrylic panels cut into undulating shapes
“Crimson Cloud” (2022), at Pavilion Kuala Lumpur, Malaysia
a detail of a vibrantly colored architectural pavilion made of bright red acrylic panels cut into undulating shapes
Detail of “Crimson Cloud”
an all-white installation of intricate metalwork in a white exhibition space
“Eden”
a large-scale ceiling installation of intricate metalwork
“Structural Resonance”

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